Creativity
and knowledge society –
present and future challenges for the European Union
Sehr geehrter Herr Bundeskanzler Gusenbauer,
INST President Prof. Horn, Herr Direktor Dr. Arlt,
Excellencies, Distinguished Guests,
Ladies and Gentlemen,
I am very happy to take part in your conference and I thank the organisers
for their kind invitation.
Cultural Studies is becoming one of the most fertile areas of reflection
and debate in the human and social sciences and this meeting in Vienna
is clearly a landmark event in your field.
It is not often that one can find thousands of scholars from around
a hundred countries under the same roof. I commend INST and the other
organisers for the intellectual courage it took them to launch a conference
of this size, level and ambition.
While I was preparing for this meeting, I was amazed to find so many
points of contact between your stated aims for these two days and the
principles behind the European policies for education and culture.
Let me give you just two examples.
Innovation, research and knowledge are covered large
in the media and in the agendas of many organisations—whether they
are public authorities or private businesses. Yet, these terms are long
in rhetorical effect and short in practical consequences. We need to shift
it into more credible level!
Recent OECD data show that the gross domestic expenditure on research
and development as a percentage of the GDP has remained more or less stable
in industrialised nations since 1998. In the past few years, the proportion
fell a little in the US, grew marginally in the EU27, and grew significantly
in Japan.
From European point of view, the disparity between the EU and our global
competitors is a cause of concern. The Union invests only 1.84% of its
wealth on research and development—much less than our proposed 2010
reference level of 3%. By comparison, the proportion is over 3% in Japan
and over 2.5% in the States. Striking differences we can find also in
area of education, especially higher education. EU in average invests
approximately 10 000 euro per a university student less than the
US. We are the best in football in the World, but we do not lead the Premier
League in higher education. Why? Is it not important? Is football for
Europe more than excellent, high quality university education? I am for
more and better sport (I am commissioner for sport as well), but I am
sure we can and we must modernize our universities.
I am aware that expenditure in R&D and HE is a rather crude indicator,
but I think it can prove my point. Everyone is talking about what needs
to be done in the knowledge era, but too few are putting their money where
their mouths are. Research is about producing new knowledge, education
is about dissemination of knowledge, and knowledge is the basis of progress.
Knowledge through innovation brings money back with a bonus, with added
value.
What we therefore need is better and (then) more investment into knowledge
society. Better means more efficiently, seeking more quality for the same
funding, better connection between education and research, between education
and society, labour market and economy. This strong knowledge triangle
is a basic structure of the European Institute of Innovation and Technology
(EIT), proposed by the European Commission. I am confident we will see
it established in 2008.
What was and is helpful in building our common Europe are conceptual
metaphors. Conceptual metaphors are oriented to the future, they
are open, make several interpretations and actions possible – and
in this way they enable creative participation of the European citizens.
For example the European Research Area is such a conceptual metaphor.
Another one is European Higher Education Area. We are working on its realization
through well-known pancontinental Bologna reform process. These two areas
are actually pillars of Europe of knowledge. And we start to speak and
promote the 5th freedom in the EU – freedom of knowledge.
It is about mobility of researchers, scholars, students, better conditions
for patents, intellectual property rigts and copyrights. In November we
have adopted the European Qualification Framework. It is a translation
device with 8 reference levels (conversion matrix) enabling to read, compare
and translate academic and professional qualifications between different
countries and sectors. It is based on learning oucomes (knowledge, skills
and competences acquired by education and training). What one knows and
is able to do is decisive, not the place or length of study. These and
other instruments will help our people to be more citizens than tourists
in the EU.
Therefore one could envisage a European Creativity and Innovation
Area as a next analogic field. It could be a metaphor for a new
understanding of culture within the European Union. The main elements
of such a European Creativity and Innovation Area should be the understanding,
that culture is catalyst of creativity, that cultural diversity and multilingualism
are the basis of richness. 23 official EU languages in three alphabets
is reflexion of this diversity, too. Respect for and access to our cultural
heritage, protection and promotion of diversity of cultural expressions
is important principle for internal and external cultural policy in XXI
Century. Our goal should be to make access to today’s knowledge
possible to all European citizens, and enable them to contribute with
the new knowledge. Foe example, Europen Commission with the Member States
started implementation of Digital Library project. By 2010 we would like
to digitize, preserve and make through internet available six million
books in our public libraries in Europe.
Access and quality of education become decisive for
the individual and societal developments. Education becomes factor of
employability, social inclusion, personal fulfilment, mature citizenship,
cultural awareness in time of globalization. When Europe invested into
education and cultures, it shaped the times of growth and rennaissance.
When it burned books and closed universities, dark times were coming.
Education empowers and unites people. Lack of education leads to mass
unemployment and immaturity of society for democratic sustainable self-governance.
Such people and cultures are vulnerable, become easily dependant, underdeveloped
or marginalized. And this is obviously the opposite of creativity.
As Richard Florida puts this right, for rise of the creative class you
need to recognize and nurture three “T”s: talent,
technology and tolerance. Ignorance disregards talents. Ignorance
breeds intolerance. Technology alone is not simply enough. In 1957 Soviets
launched the first sputnik into the Space. But the regime was dictatorial,
against human rights (and talents). It could be neither successful, nor
sustainable. Attempt to build unity of peoples without freedom
remained as violent utopia. In 1957 six countries of the Western Europe
started to build unity in freedom. Humanity and solidarity
were the cement of construction. Therefore the EU is here as a success
story, the only real geopolitical innovation in the traditional Westphalian
system of international relations.
Another area of overlap between the themes highlighted by your conference
and our policies is what you call a “lack of cultural policy
in transnational processes”. I could not agree more, and
I can assure you that filling this gap in international politics is precisely
what we try to do.
Only last May, we issued first ever policy paper devoted to a new European
agenda for culture in time of globalization. I will not discuss the text
in detail, but I would like to put it in context. From the start of the
Barroso Commission, it was clear that culture would become a higher priority
in the political agenda of the EU. People today accept realities like
internal market, Schengen, single currency - euro. But they discuss more
than ever non-tangible issues like values, identity, cultures, and qualifications.
With the upcoming knowledge society there is a change in principal.
Without any question still agriculture is very important. Industries are
very important. But education, the arts, research, services, (cultural)
tourism etc. are the growing parts of activity, where people in Europe
earn more their money, pay their taxes. And this means also a change of
the understanding of creativity in principal.
In 50 years, our united Europe has been built mainly in tangible areas.
Our achievements have been astonishing, of course, but I believe that
we need more to help us feel we are European citizens.
We need to feel that Europe is integrating in symbolic, non-material
domains. Through art, literature, and cinema we can share in a European
identity and get a clearer sense that we belong to Europe. Material which
artists and intellectuals work with is intimately linked to the European
project. They build upon our common heritage and, at the same time, they
give voice to the dazzling diversity of our traditions and histories.
But this is old hat; for many centuries Europe’s artists and intellectuals
have considered the whole continent as their natural playground.
As you rightly point out in your introductory notes to this conference—not
everything is right with the world. We need to harness creative energies
in Europe, to give expression to new ideas and promote creativity and
innovations.
Ladies and Gentlemen:
After the publication of our European agenda for culture, we are now
working on a new idea: declaring a European Year of Creativity
and Innovation. If everything goes to plan, it will take place
in 2009. It will follow Europen Year of Intercultural Dialogue
2008, which I proposed at my first parliamentary hearing.
Let me give you the rationale of this initiative. As we move towards
the next decade, it is becoming clearer that the European agenda for education
and culture cannot be totally subordinated to growth and employment. And
it isn't.
In fact, our education policies already have a broader goal. We would
like Europeans to never stop learning throughout their lives and to acquire
knowledge, skills and attitudes attuned to a well–rounded personal
development. Lifelong learning is necessity, not luxury.
Our life–long learning policies are structured around eight key
areas of competences: mastery in mother and foreign languages, mathematical,
scientific, technical competence, digital skills, civic and social skills,
learning to learn, a sense of initiative and entrepreneurship, and—finally—cultural
awareness and expression.
What is the place of creativity? Creativity and innovation are key elements
especially in the areas we call "sense of initiative and
entrepreneurship" and "cultural awareness and
expression".
Promoting creativity and innovation through a European Year would show
there is no conflict between the hard–edged economic agenda of growth
and employment, and the personal– and social–fulfilment sides.
Although the preparation of the European year is still in progress,
we can already see the four key points it should pursue.
- First, it should support efforts to provide environments which stimulate
aesthetic sensitivity, emotional development, and intuition and which
foster creativity in children from the earliest stages. And it should
broaden access to culture and reduce disparities in access, particularly
during the most formative years; furthering opportunities for participation
in cultural, artistic and creative expression throughout formal education;
- Second, it should encouraging openness to cultural diversity, as
a means of fostering intercultural communication and artistic and intellectual
cross–fertilisation;
- Third, it should help to stimulate innovation, flexibility and adaptability
to a rapidly changing world; fostering creativity as an ability which
is transferable to occupational contexts and equipping people to improve
their career opportunities;
- And finally, it should encourage people who are no longer in the
labour market to continue developing their creative potential.
I would like to stress the basic approach. Speaking on creativity, speaking
on knowledge society, speaking on any aspect of human life – what
is essential is a man. Human person and his good should
be in centre of all our deliberations! If we start to detach any given
aspect from the consequences on person and if we tend to see any area
of human life as a goal per se – it can lead to harmful consequences,
although for the first glimpse the aspect seems to be unambiguously good.
Let´s put it in a concrete way. We can get for example a creative
and intellectually educated person but at the same time being unable to
have sound human relations, to feel self happy, to lead a life which is
not concentrated just on himself/herself. And there are clever and creative
thieves or even murderers. Our media offer daily examples. This holistic
approach defined by the human person should be much more present in education,
in politics, in all our thinking.
Let me remind you that we at the EU institutions can put forward ideas
and co–ordinate action on a European scale. However, culture and
education policies are and will remain the responsibility of national,
regional and local authorities.
A European year for the promotion of creativity and innovation would
provide an ideal opportunity to celebrate what we need to do to build
our united Europe on a shared cultural project.
Creativity in this perspective is the reality and possibility of creation
– a dynamic process of changing the world as it is to a better world
for the human beings. But this is not a process in a vacuum; this is a
process within cultures.
We have build in last decades solid basis of information society.
Now we have ambition to build a knowledge society. But
the most important ambition remains to form a wise society
– the one where knowledge meets and unites with the universal human
values, starting with the human dignity.
Jean Monnet, founding father of common Europe, opens his memoirs with
the sentence: «Nous ne coalissons pas des Etats, nous unissons
des hommes.» To unite people is much more demanding but also
more important than to form an alliance of states!
Europe as a community of people should be a synonymum of openness.
Open minds and open hearts are decisive factors and instruments for success
of such vision, as well as for Europe of knowledge, creativity and innovation.
Open minds are about rational approach, science, competence, competitiveness.
Open hearts are about our empathy, sympathy, solidarity towards others
around us – locally and globally.
I wish you all to be openminded and openhearted protagonists of humanity
and solidarity!
Thank you.
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